200m2 high-grade gray mansion, interpretation of the ultimate personality and advanced fan!

Top duplex  

The concept of “being beautiful now” runs through every detail of architecture, landscape and interior, bringing a deep quality lifestyle and living experience to the owners.

In the rationality, light up the life with modern art, or pursue the sense of family in the oriental mood. Different focuses, but they are all possibilities of interpreting and leading life in contemporary design language. Just as people have different tastes for style, the requirements for quality and detail are throughout.

The modern architecture with calm texture reveals the characteristics of rationality and comfort, the simple lines, the beauty and strength of the space, the seclusion of the feast, and the return of people to a rational and orderly life.

The overall space of the top-return type is mainly gray-blue, low-key and soft, warm and powerful. At the same time, the interior of the building is in a minimalist way, while the comfortable and comfortable furniture and the soft and delicate fabrics bring the best of function and rationality to the extreme.

When life returns to rationality, art also has to mention that American philosopher George Santayana believes that art is an important factor in rational life, can change the living environment, promote the realization of ideals, and increase people's knowledge and spiritual pleasure.

When it comes to art, some people love Picasso's geometric figures, others like Monet's bright colors and radiance. In this case, the restaurant's art paintings are painted with minimalist monochrome, with minimalist lines and contrasts to create another Imagine the space.

The combination of painting and installation art in the stairwell has become a clear-cut pen. With novel themes and techniques, minimalist language, through the common relationship of light, color and space, the harmony between art and human habitat is expressed.

The combination of grid and mirror, and the interaction between people at different angles, different times, and different scenes, the interesting and imaginative powers are the feedback and positive power of art in life.

The bottom-return type has a total of four floors, and the spatial layout is reasonable. The oriental conception collides with the modern space aesthetics. It is also the ultimate composition of the point and line. The picture is clean but not so smart, conveying rich connotations in simplicity.

The combination of green, gray, beige and gold colors is used to interpret the oriental temperament space with modern and fashionable color relationships, and the overall quality is higher.

The design retains the Chinese conception, and the extracted elements are simplistic. The Chinese style is left white, combined with the modern minimalist art and spatial line structure, from the point to the line, from the line to the surface, to create a new oriental family life.

Parent-child relationship is the core relationship that most Chinese families are currently very important. In the design of this space, the negative layer serves as a home entertainment leisure space. The designer sets a separate hand-made space for parents and children, fully satisfying the Chinese people's demand for family time and parent-child companionship.

The solid wood grid is combined with the stairs as a space partition, with faint light and shadow, and unique texture, which makes the space light and flexible, while allowing the functional space to be independent and without losing the sense of family atmosphere. From the living room, kitchen and dining room on the first floor to the children's hand-made area on the first floor, the public space is kept transparent and the interaction between family members.

The idea of the contemporary oriental lifestyle is not complicated formalism and luxury vision, but the return to texture and temperature, and the emotional interconnection between family members. Thinking about national residence and family relations, designing emotions instead of designing for beauty.

The difference between "beauty" and "beauty" lies in emotion. As the Japanese design guru said, “Visual perception is always inadequate. We need to use the whole body to perceive things.”